Hat Types: The Tam

While the Queen is in residence at Balmoral this month, we’re going to look at several Scottish hats.

History: Named for the eponymous hero of the 1790 Robert Burns poem, the tam o’shanter is a flat men’s hat, traditionally made of hand-knitted wool that is stretched on a wooden disk to give it a distinctive flat shape, then felted. From the late 1500s through the 1800s, these “Scottish bonnets” were widely worn; similar to other flat bonnets common in northwestern Europe during the 170s, the tam o’shanter was distinguished by the wool pompom (known as a toorie) placed at the center of the crown. Prior introduction of synthetic dyes in the mid-19th century, these bonnets were made in only in colours possible from natural dyes, especial woad and indigo, which provided the widely used nickname of “blue bonnet” for this style of hat.

In 1915, the tam o’shanter was adopted by Scottish infantry serving on the Western Front and given the military abbreviation “ToS.” Today, regiments in Scotland, Canada and Australia continue to wear the ToS as part of their military uniform.

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Based on the tam o’shanter, the tam emerged as popular women’s hat in the 1920 thanks to its compatibility with short hairstyles and the soft versatility of shape, which could be draped in different face-framing ways. A resurgence of tartan and checked patterns in the 1930s kept the style popular, albeit in a less voluminous silhouette. After this extended time en vogue, the hat style was solidified as one that would stay. It experienced another circle through popularity in the 1970s and early 1980s.

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Tams for women in the 1920s (left) and 1930s (right)

Characteristics: A soft, voluminous round hat, usually with a round seam that joins the flat crown to the sides (some tam crowns have triangular pie-shaped seams. Tams often have a band around the bottom that gathers in the voluminous crown and secures the hat to the head of its wearer. A traditional tam has a pompom placed on the center of the crown and is made of felted wool but today, they are made in any number of fabrics, usually without a pompom!

How a Tam and A Beret Differ: Look for crown volume and seams! If either are there, it’s likely a tam. A band around the bottom of the hat is another indication it is a tam. Tams are always made of fabric and are not blocked.

Royals Associated with this Hat Style: It’s no surprise that the royal family of the United Kingdom, which includes Scotland, are the bunch most seen in this hat style. A tam’s ease of wear makes it an accessible style for all ages.

Royal Tams:

       

 What do you think of this Scottish bonnet?!

Photos from Serge Lemoine, Terry Fincher/Princess Diana Archive, Mike McLaren/Central Press, UK PressAnwar HusseinBert Van Den Broucke/Photonews, Tim Graham Photo Library, Bettmann, PA Images, Getty Images, Tim Graham Photo Library PA Images, Ray Bellisario/Popperfoto, Jayne Fincher/Princess Diana Archive, Tim Graham Photo Library via Getty; Ron Bell/PA Archive/PA Images;  Max Mumby/Indigo,  Hulton Archive via Getty

Hat From the Past

Royal Hatsto the summer of 1962, 59 years ago, and Princess Margret on a visit to RAF Frimley in the most wonderful pale yellow straw peach basket hat trimmed in rows of daisies.

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Images from Getty as indicated

Inventory: Princess Anne’s Pink Hats

Princess Anne celebrated her birthday Sunday, an event we mark with a look into her hat closet. Today we’re looking at her pink hats, an inventory that would not be complete without the boater with silk flowers and trailing back bow she wore for 21st birthday portraits in 1971:

And this wide brimmed blush Garbo hat with pink, green and white hatbands, shown below in 1974:

 Since 2000, The Princess Royal has added just four pink designs – two hats and two headpieces- into her wardrobe

1.  2.  
Designer: Walter Wright; unknown
Introduced: June 21, 2001; June 16, 2010  

3.  4.
Designer: unknown Snoxell Gwyther
Introduced: July 30, 2011, June 19, 2014

It’s an eclectic mix. Anne’s approach to fashion is a pragmatic one most of the time yet just the first hat fits this- the other three designs have only made one appearance! The fuchsia stovepipe cloche is a hat that warrants discussion, not only because it topped what I think is her best-ever Ascot ensemble, but because it makes such a confidently fantastic stand-out statement and we don’t see many of those from the Princess Royal. The shape is, arguably, a bit dated now but that aside, how I’d love to see it step out again.

What do you think of these pink hats?

Images from Getty and social media as indicated; Rachel Adams; Anwar Hussein, Chris Jackson and Julian Parker/UK Press via Getty

Monday Multiples: Countess of Wessex

One of the hats that made a welcome reappearance this summer was a Jane Taylor designed beret percher in a rosy-beige straw trimmed with a silk roses, a trio of feathers and a raw edge gold veil. The Countess of Wessex has paired this monochrome masterpiece with two ensembles:

Look #1: With an oyster silk Bruce Oldfield suit with embroidered sleeves and belt worn April 29, 2011 to the Duke and Duchess of Cambridge’s wedding

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Look #2: With a dark forest green Suzannah dress with palm tree embroidered skirt worn 17 June ,2021 to Royal Ascot

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On its own, this is a beautiful hat. I am however curious, dearest readers- which ensemble pairs with it best? Why?

Images from Getty as indicated 

This Week’s Extras

Empress Masako in a grey hat with tightly upturned brim today to mark the anniversary of Japanese surrender at the end of WWII. The bow tucked into the brim at the back is a charming touch on this design.

The following new millinery designs caught my eye this week:
Very chic red patterned buntal straw hat with Dior brim and multi-looped bow by Dutch milliner Wies Mauduit
White pillbox with beautifully draped silk rose overlay by American milliner Tracy Young
Pink straw saucer with black and white polka dot flying bow by Irish milliner Carol Kennelly
Brilliantly bonkers! Silk abaca helmet with beaded bowler silhouette by Australian milliner Andrea Cainero
Stunning shape on the cartwheel brim of this design in floral-woven straw by Russian milliner Lia Gureeva
Another head turning feathered bandeau, this time in midnight blue, by Australian milliner Jill Humphries
Tall turban entirely covered in different kinds of pink silk flowers by American milliner Sarah Sokol
Red straw halo headpiece with black crin ginko leaf trim by Australian milliner Christine Waring
Wonderful pattern on these woven buntal cloche hats by British milliner Jess Collett
Easy breezy coated linen cap by American milliner Peter Forson
Sweet headpiece of rolled sinamay lilies in different pink shades by Australian milliner Catherine Kelly
Boater with braid crown, perspex brim and a swarm of blue butterflies by British milliner Bundle MacLaren
Graphic black and white striped disc percher by London-based milliner Philip Treacy
Lovely pink felt button with embroidered leaves and 3D silk flowers by German milliner Anne Schneider
Cloche covered in lime green straw loops and feathers by Australian milliner Philip Rhodes
Whimsical beaded trim on this navy button percher by France-based milliner Sylvia Martinez
How fun is this vibrant pink scalloped brim take on a boater hat by New Zealand milliner Maria Wright?!

Sweet holiday snap shared by the Danish monarchy

Images from social media as indicated