Wedding Trio

We kick off this new week with a look at the three weddings which took place over the weekend. On Friday, the civil marriage of Grand Duke George of Russia and Rebecca Bettarini took place in Moscow.

 

Prince Jaime de Bourbon-Siciles, Duke of Noto, was married to Lady Charlotte Lindesay-Bethune on Saturday at Monreale Cathedral in Sicily.  The bride’s father, the 16th Earl of Lindsay, is a prominent Scottish businessman and politician and presumably, her delicate diamond tiara is a family piece. The groom’s mother, Sofía Landaluce y Melgarejo, Duchess of Calabria, wore a black lace mantilla with high peineta comb. See a gallery of the event here.

 

On Saturday, Princess Marie-Astrid of Liechtenstein married Ralph Worthington at the Orbetello Cathedral in Capalbio, Italy. The bride wore the diamond Kinsky Honeysuckle Tiara from the Liechtenstein royal family’s collection. The time and subsequent dress code for these nuptials did not, unfortunately, include hats. See a gallery of the event here.

Lovely royal bridal looks all around, don’t you agree?!

Images from Getty as indicated  

Bourbon Parma Wedding Ten Years On: Family & Guests

Prince Carlos and Princess Annemarie of Bourbon-Parma celebrated their 10th anniversary last week. Yesterday we looked at the bride’s attire– today we look at hats worn by family and royal guests.

The groom’s mother, Princess Irene wore a statement pinwheel fascinator of purple feathers. Fascinators such as this one were still popular at the time (we’ll see several more at this wedding) and while this one was on-trend in terms of style and the colour was lovely, I think its scale overwhelmed Irene.

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Princess Margarita, who attended the bride and helped maneuver her 4 meter long train, topped and adorable red coat with a pleated bandeau headpiece trimmed with feathers on one side. The scale of the piece is lovely on her and just right for a head-to-toe ensemble in one colour- a bigger hat would have been too much. While bandeau headpieces are very popular today, this one was ahead of its time!

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Princess Carolina paired her stunning amethyst silk dress with a silvery grey straw fasciator studded with purple and grey feathers. As far as fascinators go, the crescent shape of this this one worked really well, not only to frame Carolina’s face but to give some presence to the piece. Both the shape and colour made the piece a great pairing for the dress, linking with the handpainted pattern on the skirt and complimenting, rather than competing with the cowl neckline. While fascinators such as these seem a bit dated now and the feather placement on this design isn’t perfect, ten years ago, I adored this look on Carolina.

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Queen Beatrix wore one of her signature oversize pillboxes, this one in the loveliest shade of slate blue. The hat paired beautifully with her both her blue jacquard silk dress and her fur-trimmed cape, the latter giving the most wonderful “ice queen” vibe, in the best possible way.

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Princess Máxima wore a simple black beret percher overlaid in pale grey and black net veil by Dutch milliner Irene Bussemaker. The veil is the star on this design, adding wonderful texture and softness to the otherwise stark piece. It’s not a showstopper hat for Máxima but, I suspect, that was the intent.

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Princess Laurentien topped another head-to-to red ensemble in a percher saucer hat trimmed in red guinea fowl feathers. While the numerous textures in this overall look might seem a bit much, they save it from being one note. I think the hat was a triumph, its scale so great on Laurentien (particularly with her characteristically sassy haircut) and the feathers a whimsical yet effective touch.

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Princess Mabel leaned into the fasciator trend with a large headpiece of black feathers. A decade of time since first seeing this outfit has not warmed me any more to it- while the fascinator linked with the coat and the top linked with the skirt and shoes, these two halves seemed at odds and the overall look just didn’t mesh.

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While Princess Margriet, Princess Annette and Princess Anita  did not wear hats, Princess Marilene topped her Valentino coat with a lilac crin bow fascinator studded with goose and coque feathers, net veiling and tulle. While the design was fine, I’ve always felt her lovely coat deserved a much more refined hat. Something wide brimmed in felt the same shade as the coat’s velvet bow would have been so much better.

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Princess Aimee wore a white fascinator of ruffled straw. I prefer the look of this fascinator, which almost reads as a cocktail hat, to the feather explosions seen on other heads here, but always felt it was too summery for a November wedding. Perhaps she had planned to wear it for the originally scheduled date in August? Either way, cocktail hats were popular ten years ago and I think something in navy felt would have made a better pairing.

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The final Dutch royal hat at this wedding was worn by Princess Christina. Her tangerine straw callot was studded with black and orange feathers. The hat’s link to the black, yellow, caramel and coral floral print on Christina’s coat is obvious yet still incongruous…  and too Halloween-y. I think a solid colour hat would have been the way to go here.

The only hat on a royal guest was this wonderful purple felt cloche worn by Countess Diane of Nassau, wife of Prince Jean of Luxembourg. The design appears to be trimmed with a pair of slim, layered hatbands and a ruffled side bow at the side with feathers. It’s a classic piece that was elevated by its unexpected, yet very effective pairing with Diane’s fuchsia frock.

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Looking back at past events is always an interesting glimpse at style trends at that time and this flashback is no exception. Which millinery looks have best stood the test of time? Which do you think are best left in the past?

Photos from Getty as indicated; PPE/Nieboer; PPE/Nieboer; PPE/Nieboer; Olivier Polet/Corbis, and Olivier Polet/Corbis, via Getty; Patrick van Katwijk/Monarchy Press; Patrick van Katwijk/Monarchy Press; PPE/Nieboer; Corbis; PPE/Nieboer; Corbis; PPE/Nieboer; Mark Renders/Getty Images; Jeroen Van Der Mejde/ANP Photo News

Bourbon Parma Wedding Ten Years On

Prince Carlos and Princess Annemarie of Bourbon-Parma celebrated their 10th anniversary last week. Today and tomorrow, we’ll mark this anniversary with a look back at their religious wedding.

The couple was married civilly on June 12, 2010 in Wijk bij Duurstede in the Netherlands. Their church wedding was scheduled to follow on August 28 but was postponed due to the August 18 death of the groom’s father. Following a suitable period of mourning, the wedding was held November 20, 2010 in La Cambre Abbey in Brussels, the city where the couple met. Annemarie Gualthérie van Weezel was a parliamentary journalist in The Hague and Brussels for the Dutch public channel NOS while Prince Carlos w as a public affairs consultant for European Public Policy Advisors (EPPA).

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Annemarie turned to Brussels designers Jacques Devos and Pamela Hoffman for her wedding dress. They created an off-the shoulder gown in ivory silk with crossover V-neck ruched bodice and three quarter length sleeves.

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A slim silhouette followed the empire waist to the knees where it opened into a trumpet skirt. The back of the skirt flowed into a circular two meter long train.

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Annemarie wore the Dutch emerald parure tiara, a convertible piece with emeralds replaced with diamonds and pearls. Her veil was made by Belgian artist Isabelle de Borchgreve out of….. paper! Chosen with a concern to sustainability (it was reported that Carlos and Annemarie wanted to emphasize their concern for a more sustainable world, the veil was handpainted and, as you can see here, was indistinguishable from lace (see its detail here, here and here). The ensemble was completed with pearl and diamond drop earrings and a white and pink bouquet.

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Ten years on, this gown has held up well. The paper veil is astounding, it’s  lace pattern pairing so well with the silk gown , giving both textural contrast and interest while not throwing the overall look out of balance. That’s not to mention the million points it already earns for its sustainability. The tiara was a bit too pointy for my taste but I can appreciate how the shape mirrored the gown’s neckline and I adore how the scalloped edge of the lace veil beautifully framed Annemarie’s beaming face. The whole look suited her well.

Today, the couple are parents to two daughters, Princess Luisa and Princess Cecilia, and a son, Prince Carlos.

Tomorrow, we’ll look at hats worn by family members and royal guests to this wedding. For now, I’m curious, dearest readers- what do you think of this bridal look a decade on?

Photos from Getty as indicated 

Monaco Royal Wedding: Guests from Non-Reigning Royal Houses

We wrap up our week-long look at the hats worn to Prince Albert and Princess Charlene’s religious wedding on July 2, 2011 with those worn by guests from non-reigning royal houses.

Empress Farah wore a pleated turban in the same lime green silk as her jacket and dress that tied at the back in a bow. It was a very coordinated look with subtle contrast provided by the use of both matte and shiny sides of the fabric twisted together and narrow fringe on the bottom of the back bow’s tie.

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Princess Marina of Savoy wore a picture hat in layered navy and black straw, sharply raised on one side and simply trimmed with a slim black straw hatband. The layered straw gives an interesting effect, merging the two colours surprisingly well, especially with the top layer of the straw brim cut shorter than the bottom navy layer to give some lightness to the design around the outer brim’s edge. On its own the hat was great. It’s the pairing with this feather-hemmed, bedazzled, cocktail-all-the-way dress that gives me issue. It’s a dress that simply doesn’t suit a hat.

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Marina’s daughter-in-law, Princess Clotilde, paired her ruffle trimmed scarlet dress with an oversize flower headpiece in black silk. While the black accessories work with the dress, I’d have preferred a sleeker percher hat to provide a more streamlined counterpoint for the statement dress.

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Princess Camilla of Bourbon-Two Sicilies is well known for her dramatic sartorial choices and attended this event in the ultimate (most literal? cheesiest?) symbol of love. Her large heart-shaped hat was covered in the same pink silk as her outfit, emphasized with the same magenta handpainted ombre effect as on the collar of her jacket. Well known to be one of Prince Albert’s closest friends, I always wondered if Camilla’s pink statement of love was directed at the unfortunate rumours that plagued the run up to this event… or if this was always her plan. My guess is the latter. Either way, it was quite a hat.

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Maria Margarita de Bourbon, Duchess of Anjou, paired her beautifully embellished grey dress with a statement hat in slightly lighter grey straw. The design was lavishly trimmed with grey silk oversize roses and crystal studded cut feathers placed below the brim of the saucer’s raised side.

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Princess Micaëla of Orleans wore a warm tan-hued raffia sun hat with wide, pleated brim from the Madagascar Hat Company. A twisted sash hatband in the same magenta silk as her skirt was added to the hat, presumably to link the ensemble together.

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The Duchess of Bragança paired her pale blue silk suit with a simple ecru straw hat with flat crown and upturned kettle brim.

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Crown Princess Margarita of Romania was a sunny vision in yellow with wide brimmed hat. The design, by Romanian milliner Kristina Dragomir, featured a shallow, flat crown and gently downcurved brim and was trimmed with a yellow silk hatband and swath of dotted veil wrapped around the crown and tied in a bow across the back. I’m not always a fan of one-colour looks but this shade of yellow is so happy and well suited to Margarita (and successfully grounded by the cream accessories and pearl jewellery) that I can’t help but like it.

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Crown Princess Katherine of Serbia paired her ice blue silk beaded dress and jacket with a feminine headpiece of large white and blue ombre flower petal ruffles trimmed with loops of blue tube crin. I can see how the headpiece linked with her ensemble and I love the unconventional design but I think a less fussy piece (anything that didn’t look like layered cabbage leaves) would have been a better option.

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Grand Duchess Maria Vladimirovna of Russia wore a tall, peaked Kokoshnik-style headpiece in the same floral silk as her dress. Maria’s committment to this traditional Russian millinery shape is admirable (she has worn the shape many times over the years) but this particularly combination of headpiece and dress (with those drapery-esque sleeves) was a LOT of look.

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Princess Sophie of Isenburg, who would marry Prince Georg Friedrich of Prussia a month later, paired her colorful couture dress and jacket with an equally vibrant headpiece. Built on a pale beigey-pink silk abaca bandeau with swishy curving edge, the headpiece was trimmed with a birdcage veil, an over-arc of black burnt feathers and a trio of blue, caramel and pink flower feathers on the side. There are countless reasons not to like the headpiece with the ensemble that I continue to ignore, simply because it was of the few ensembles at this event that felt free and fun.

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Stephanie, Hereditary Princess of Baden, wore a giant ivory silk chiffon rose headpiece with petal edges tinged in pink. I love a millinery statement but this this one was dulled by her ‘whole lot of biscuit’ ensemble. Princess Ursula of Bavaria, on the other hand, played up her black straw bow headpiece with feathers, pairing it with a black and white suit. The feather work on this headpiece is worth a second look- a fantastic dahlia flower of black and white striped goose biot feathers with a red center was surrounded by dotted pheasant feathers with a firework display of black coque feathers shooting around the top and side.  Yes, it’s dated now but I still love its bold design and scale.

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Princess Virginia von Fürstenberg, who had been a longtime friend and companion to the widowed Prince Rainier, topped her navy silk dress and scarf and lace jacket with a shiny straw cloche hat in the same colour. The design was simply trimmed with a navy hatband and wide binding around the extended brim.

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That wraps up our look at the Monaco royal wedding nine years ago, and the 44 royal hats and headpieces that attended its multi-day celebration. Which hats in this last group stand out to you most? Which overall royal hat at this event was your favourite?

Jump to this post for an index of other royal hats that appeared at this wedding. 

Photos from Getty as indicated 

Hats From the Past: Christening of Danish Twins

Nine years ago this week, Crown Prince Frederik and Crown Princess Mary brought their young twins, Prince Vincent and Princess Josephine, to Holmens Church in Copenhagen to be baptised.

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Crown Princess Mary repeated the cream silk flower bandeau headpiece by Malene Birger she had worn for Prince Christian’s christening in 2006 and Princess Isabella’s in 2007.

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The delicate headpiece is a great option for an event like this, beautifully framing Princess Mary’s face while allowing for a full view of the baby. It’s a flattering and wearable piece that works so well against her dark hair and adds a lovely amount of softness to the overall ensemble, tying in so well with these exquisite antique christening gowns.  The styling here is also impeccable with great colour contrast between the headpiece and Mary’s saturated blue dress (it works so much better than the competing patterns it was paired with on its first outing) and a few statement jewelry pieces that add that bit of regal ‘wow’ to the elegantly streamlined ensemble.

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Princess Isabella looked charming in a pink hairbow to match her silk dress, tied to the braid on the side of her head.

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Queen Margrethe wore a brimless design covered in the same vibrant blue weave as her coat. The hat is trimmed with a wide stripe of plaited velvet ribbon and braid that wraps over the hat and a pair of feather spines circled with in curled goose biot feathers.

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Princess Marie topped her pale greige wool coat with a straw beret-based percher hat in the same colour from British brand Whiteley. The hat is trimmed with a triple looped straw curl.

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Princess Benedkite topped her mint coat with a warm toast brown hat of sewn braid with Breton style upturned brim. The hat is trimmed in a wide mint petersham ribbon hatband that ties in a bow at the back, topped with a slim coppery brown ribbon. Queen Anne-Marie wore a navy straw classically-shaped pillbox hat trimmed with a small navy velvet bow at the front.

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Princess Tatiana of Greece topped her navy ensemble with a blue feather headpiece, formed in the shape of a lotus flower. The hat is surrounded by burnt feathers and a striped quill with gentle curl in the center completes it. Prince Gustav of Sayn-Wittgenstein-Berleburg (Princess Benedikte’s eldest son, who is one of Prince Vincent’s godparents) attended with his parnter, Carina Axelsson, who wore a pink floral headpiece tucked into her chignon.

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Prince Charles and Princess Camilla of Bourbon Two Sicilies attended the event (Prince Charles is one of Princess Josephine’s godparents). Camilla wore a characteristically flamboyant ensemble topped with a watermelon pink straw pyramid hat bound in a wide stripe of burgundy velvet and topped with a mass of deep pink feathers.

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Princess Mary’s stepmother Susan Donaldson wore a sculpted wire flower headpiece and her sister Patricia wore a calot headpiece of embellished grey feathers.

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How do these milliner designs hold up, nearly a decade later? What looks here stand out most to you?

Photos from Getty as indicated