When Crown Prince Willem-Alexander married Máxima Zorreguieta seventeen years ago, his status as heir to the Dutch throne made the wedding a state occasion and as such, a large number of royal guests attended. We now look at some of these royal hats.
Queen Margrethe’s hat linked with her fur trimmed coat, the domed crown covered in the same textured blue wool fabric. The denim blue inverse brim made this design unique, hugging the bottom of the crown tightly before opening horizontally, the shape punctuated by a slim lighter blue hatband on the under side. the brim’s front brim vent was further highlighted with a pearl brooch. Despite its small footprint, this hat packs a lot of punch- perhaps too much in combination with the fur collar and cuffs on the coat?
Princess Benedikte wore a silver tweed coat and hat with fur trim on the bumper brim (and collar and dress hem). The scale of fur trim is just right here and the dark colour contrasts AND coordinates beautifully with the fabric. The fur hem of the dress is a little odd but the hat works really well.
Benedikte’s eldest daughter, Princess Alexandra of Sayn-Wittgenstein-Berleburg, topped her lilac dress and coat with a magenta felt brimless hat trimmed with a tall spray of feathers. The pieces are all individually attractive but I’m just not sure they combine well together. Photos of Alexandra’s younger sister, Princess Nathalie, who also attended, elude me.
Queen Silvia’s midnight blue hat combined straw and velvet- not a combination we often see. The hat’s wide, upturned kettle brim was edged in a wide stripe of velvet which was repeated on the crown. A ruched hatband of light straw added softness, volume and textural contrast between the crown and brim.
Crown Princess Victoria topped her tailored chocolate suit with a matching straw hat. It’s a hat I’m happy to leave in the past for Victoria, its unrefined finishing and awkward looking hatband making a less than flattering look for her.
Princess Madeleine’s hat packed a little more style punch and finesse with its angular crown and upswept brim around the back. The sequinned hatband reads a little ‘glitzy cowgirl’ and the roughly woven straw feels slightly unmatched against Madeleine’s beautifully tailored dress and jacket but somehow, the look works for what it was.
Queen Sonja topped her cantaloupe orange lace suit with a matching silk cloche hat. The upturned brim updated the traditional shape with some angular edge (a touch somewhat nullified by the wide, rather dowdy lace hatband) and a small spray of orange feathers and a canteloupe silk twist on the side attempted to liven the design. A matching canteloupe lace purse and fur stole completed the look- and a lot of canteloupe it was. Melon overkill, I’d say.
Crown Princess Mette-Marit was barely six months into royal life at this point and her ensemble reflects some of this inexperience. Her navy silk cloche hat was embellished by a wide, ruched hatband and the same matchstick cream stitching around the outside of the brim edge as on the neckline of her dress and, in reverse, on her cream coat. All in all, it was rather bland.
From bland and boring we move to brilliantly bizarre with Princess Märtha Louise’s hat. A fantastical design that combines a tall, olive green felt square-edged hourglass crown, a wide purple felt brim, purple roses and cobalt, orange and red feathers, the hat is unexpected, whimsical and… well, it’s just bonkers. Pairing this embellished purple suit with this hat was a gutsy move I’ve always admired and makes me smile, still.