thirty years to March 25, 1988 and the Duchess of Kent in a prim pink straw boater with printed silk hatband for a visit with the Duke to St. Albans.
Photo from Getty as indicated
thirty years to March 25, 1988 and the Duchess of Kent in a prim pink straw boater with printed silk hatband for a visit with the Duke to St. Albans.
Photo from Getty as indicated
Thirty years ago yesterday, the Duke and Duchess of Kent’s eldest son, George Windsor, Earl of St. Andrews, was married to Canadian professor Sylvana Tomaselli. At the time of the nuptials, the bride was Catholic and divorced, issues which prevented a church wedding and caused the Earl to give up his rights of succession (thankfully, times have changed). As such, a civil wedding was required and the young couple married in Scotland.
Barely visible at the far left of the photo below, Princess Alexandra looked to be wearing a brown fur papakha style hat. On the far right, Princess Michael of Kent wore an oversize, angular black brimless hat (perhaps also a modified Cossack shape?) with bow.
Trooping the Colour was attended today, as in years past, by the Queen’s cousins and their families. The Duchess of Gloucester, who rode in a carriage with her husband and the Duke of Kent, repeated her grey straw cuffed bumper hat with net veil trim. The men wore in morning dress with top hats.

The Duchess of Kent made a rare public appearance today in a denim blue percher hat trimmed with what looks to be lace on the hat and a spray o feather at the back. Princess Alexandra stood nearby in her large cream hat with high, domed crown, wide moulded hatband, net tulle covered brim and front feather pouf. .

The Countess of St. Andrews wore an interesting hat in what looks to be lattice printed straw (or hemp? or burlap?) with a cartwheel brim fanning out from a narrow, diagonal crown. There does not seem to be any further embellishment on the hat besides a slim navy ribbon hatband and fringed brim edge. Sylvanna’s daughter, Lady Amelia Windsor, repeated the distinctive navy ruched turban with lattice printed crin accent we saw Sylvanna wear last year to the Service of Thanksgiving for Queen Elizabeth’s 90th birthday.

Lady Helen Windsor wore a stylised white Homberg hat with indented crown, short brim raised around one side and a navy bow at the front. This piece is from Stephen Jones’ Miss Jones SS 2017 collection. Helen’s sister-in-law, Lady Nicholas Windsor (Paola, who is peeking out from behind the Duke of Glouster, below right) wore what looks to be some sort of large cream saucer percher.

Julia Ogilvy repeated her cream picture hat with square crown, cartwheel brim and flying bow on the side. In today’s sea of cream hats, I liked the styling of this one, with Julia’s sand and teal printed dress and her pearl necklace, best.

Flora Ogilvy repeated her large cream straw picture hat with multi-looped side bow. Her cousin, Zenouska Mowatt, topped her olive dress with a cream straw teardrop shaped sidesweep lavishly trimmed with feathers. The trim on Zenouska’s hat makes it come to life and I love how her blue shoes at a hit of contrast and make her ensemble look very polished from head to toe.
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Princess Michael of Kent repeated her white straw wide brimmed hat with ostrich feather boa wrap/overlay.
Lady Frederick Windsor (Sophie) wore what is described by the designer as a “window sinamay coolie with a dip dyed silk rose”. There also appears to be light feathers trimming the underbrim of the raised side of this gently sloping pyramid shaped piece. It’s a pretty piece that I think might be showed to greater effect with a non-monochrome outfit.
Lady Gabriella Windsor wore another cream hat, this one with an upswept brim and trimmed with a large multi-looped bow of lattice printed crin. This view shows the slightly oval shape of the brim- a view we don’t often get to see on hats with upswept brims.

Queen Elizabeth and the Duke of Edinburgh
Prince of Wales, Duchess of Cornwall, Duke & Duchess of Cambridge and Prince Harry
Duke of York, Princess Beatrice, Princess Eugenie and the Earl of Wessex
Princess Anne and Autumn Philips
to this day in 1963 that saw a young Duchess of Kent attending church in Buckinghamshire in a coral pillbox hat.
Photo from Getty as indicated
Over the weekend, James and Julia Ogilvy (James is the son of Princess Alexandra and the late Angus Ogilvy) celebrated their twenty-eighth wedding anniversary. We don’t often look back at millinery fashion from the late 1980s so I thought we’d grab the opportunity of this milestone to do so.
James Ogilvy and Julia Rawlinson met during their first year at St. Andrews University and married on July 30, 1988 at St. Mary The Virgin Church in Saffron Walden, a small market town in the bride’s home county of Essex just south of Cambridge. Julia wore a gown in white dupioni silk with a v-neck, fitted bodice, and full, ballgown skirt that swept into a short train. The dress is firmly dated in the late 1980s by the voluminous leg ‘o mutton sleeves trimmed with bows (a popular design detail that in all likelihood was also on the back of the dress!). Devoid of lace or beaded trimming, the stars of this dress are its silhouette and the silk of which it is made. Not surprising for a country wedding of a more distant member of the royal family, Julia forwent a tiara and anchored her silk tulle veil with a crescent of fresh flowers to match her bouquet.
The bridesmaids, which included Lady Gabriella Windsor (front left, below), wore dresses in the same white dupioni silk with pale pink sashes and similar floral headpieces to the bride. The bridal party had a quintessentially English country look that might seem familiar thanks to the popular movie “Four Weddings And A Funeral” which screened just six years later.
Princess Alexandra topped her cerulean blue suit with a matching straw hat. While not as tall as the designs we see her favour today, the hat had many design elements that seem “oh-so Alexandra”- a pork pie shaped crown, wide brim and lavish silk flower trim. It’s a wonderful hat and the saturated colour was particularly beautiful on her. Alexandra’s daughter Marina, shown on the right in the photo below, wore a classically shaped hat in black textured straw with a wide brim.

Queen Elizabeth wore a two toned straw hat with rounded black crown and flat, yellow brim. A wide yellow hatband and spray of black cherries completed the hat. The cherries were an unusual and fun trim and while the graphic hat did an excellent job of grounding the eye-assaulting paint splattered suit, I think the entire ensemble was so firmly rooted in the late 1980s that it’s best left there.
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Diana, Princess of Wales, topped her Catherine Walker dress and grey coat with white straw picture hat by Philip Somerville. The hat, with a short upturn on the brim, was simply trimmed with a ruched white hatband and marks a time when the princess was transitioning from the smaller, fussier hats she wore in the early years of her marriage to the more streamlined style she adopted over the next decade.
The complete antithesis of Diana’s streamlined hat, Princess Margaret’s hat was textbook 1980s excess! In vibrant royal blue, her halo brimmed design was entirely covered in silk blooms on the underside of the brim that framed her face like a peephole in a rose garden. Attractive? I’m not sure. Memorable? Absolutely!

While just twenty-two years old at the time of this wedding, Lady Sarah Armstrong-Jones (now Lady Sarah Chatto) was already showing signs of her uncluttered millinery style and preference for classic hat shpaes with a simple straw wide-brimmed hat with contrasting hat band.
The Duchess of Gloucester topped her red suit with a large boater style hat in straw trimmed with side sprays of flowers both above and below the brim and a monochrome hatband. The Duchess of Kent went for fashionable 1980s polka dots with her ensemble, matching her pale pink dotted suit to the bumper brim of her hat. It looks like the hat was finished with a bow at the back and a pale pink straw domed crown.
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Finally, Princess Michael of Kent wore a pale pink straw hat edged in black piping, placed at a rakish diagonal angle on the side of her head. We’re so used to grand design elements (soaring brims, huge feathers etc.) on Marie Christine’s current hats that the smaller scale and gentle shape of this piece makes for a great surprise.

1980s fashion is often not regarded with kindness and while several design elements in the hats seen here seem rather dated, I think they are wonderfully elegant examples of the millinery fashions of the day. What hats stand out to you most at this wedding?
