Belgian Monarchs Mourn Flood Disaster

King Philippe and Queen Mathilde marked a national mourning day for victims of recent severe floods today in Verviers where they met with rescue workers and people impacted by the disaster

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For the event, Queen Mathilde repeated her circle headpiece covered in black silk.

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The headpiece’s streamlined pillbox or bandeau look from the front suits more solemn events such as this and the open crown makes it suitably seasonal. We’ve not seen such a clear back view of this design as is shown above, and the overlapping edges create a lovely swirl. With her checked black and white dress and black accessories, this tops another elegant look for the Belgian queen.

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Designer: Fabienne Delvigne. Dress by Carolina Herrera. 
Previously Worn: May 25, 2018; Jul 9, 2015;  Dec 12, 2014

What do you think of Queen Mathilde’s headpiece today?

Images from Getty as indicated  

This Week’s Extras

On Thursday, Queen Máxima opened the world’s first 3D printed bridge in Amsterdam. She repeated a natural straw hat by Fabienne Delvigne with sharply raised slice brim.
Queen Margrethe in an artfully wrapped headscarves Friday in Fuglafjørður and yesterday in Vestmanna, both in the Faroe Islands
The following new millinery designs caught my eye this week:
Numerous stunning hats in this year’s Melbourne International Millinery Competition
Veiled scarlet percher lavishly trimmed with silk roses by Irish milliner Carol Kennelly
Luminous gold straw hat with angular crown and black net trim by Czech milliner Jolana Kotabova
Deep red dyed sinamay rolled lily headpiece with feathers by Dutch milliner Wies Mauduit
Uniquely shaped natural straw hat with darling blush flowers around the crown by British milliner Ruth Ravenscroft
Australian milliner Melanie Athineros proves grey is far from boring with this dimensional, textured feather headpiece.

Wonderfully sleek red straw wide brimmed fedora with butterfly trim by British milliner Louise Pocock
Super cool and unique layered puffy silhouette on felt hats from Danish brand Andersen & Berner
The most classic braided straw summer hat in “vintage pink” by French brand Rose Cherie Paris
The loveliest denim blue straw beret with fun bow by Australian milliner Lauren J. Ritchie
Such lovely lace applique on this coral bandeau headpiece by Irish milliner Kate Betts
Fantastic texture on this trilby and pattern on this Garbo hat by Russian milliner Lia Gureeva
Adore the volume, shape and dramatic drape of this scarlet silk turban by Nigerian brand Hatabelles

 

Lovely portraits of King Willem-Alexander, Queen Máxima and their daughters taken this week at their annual summer photocall at Huis Ten Bosch Palace
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If you’ve not seen this documentary on the Duchess of Kent, it’s worth a watch (there are some great hats!)

Images from social media and Getty images as indicated 

Multiples: Queen Máxima

Three weeks ago, Queen Máxima repeated a gold straw hat with high, sidesweeping slice brim. So far, she has paired this “Bellisima” design by Fabienne Delvigne with three different ensembles:

Look #1: With a gold beaded gown by Jan Taminiau for Prinsjesdag on September 17, 2013

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Look #2: With a brown caped coat and lace dress, both by Claes Iversen worn March 20, 2018 for a Jordanian state visit and October 31, 2019 to present the Prix de Rome

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Look #3: With a Zimmerman gold floral and lace dress worn June 24, 2021 for the 75th anniversary of the EYE Film Museum

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Which ensemble do you think pairs best with this hat?

Images from Getty as indicated 

Ethiopian Royal Hats Part I: Introduction

I’m honoured to welcome back Jake Short with a new 5-part series on the history and hats of the Ethiopian Imperial Family. This is not a royal house we have covered here and I thank Jake for the care and research he has put into this fascinating series. Jake is a longtime Royal Hats reader, contributor and knowledgeable commenter who documents his very stylish hat wearing life on Instagram or Twitter. Immeasurable thanks, Jake for this fantastic series!
 

Hats & History of the Ethiopian Imperial Family

In a similar vein to the series on Hawaiian royal hats, I want to introduce you to the royal hats of Ethiopia. Again, while I could just show you photos of hats, I believe not offering any historical context would be disrespectful to peoples and cultures quite different from most of our own. Thankfully, this history is more recent, so I don’t need to explain as much, and there are more hats to show off. The spellings of names and places come from Wikipedia; while Wikipedia’s accuracy is occasionally suspect, these seemed to be the most consistent and accurate, at least as accurate as translating from Amharic (and other Ethiopian languages) into the Latin alphabet can be. And while I did my best to ensure general accuracy, I apologize in advance for any mistakes and hope you will correct me as well. So, without further ado, let’s discover these Ethiopian royal hats!

Introductory History of Ethiopia

While Europe has largely been the center of focus concerning royalty, one of the oldest claims to monarchical authority is that of the Imperial Family of Ethiopia, or the House of Solomon (a.k.a. the Solomonic dynasty). While the Ethiopian Empire existed from 1270 – 1974 AD/CE, the ruling house claims to be descended from the biblical King Solomon and the Queen of Sheba. Of course, this has no verifiable proof, but nevertheless the House of Solomon remains an ancient family, which traces its lineage back to the Kingdom of Aksum, which was taken over by the Zagwe dynasty in the 900s AD/CE.

The Ethiopian Empire began 300 years later when Yekuno Amlak overthrew the last king of the Zagwe dynasty, reestablishing his family as rulers of the region, and became nəgusä nägäst (literally “king of kings”), which was usually translated to emperor (here is a list of royal and noble titles in Ethiopia with an explanation of their meanings, or a similar list can be found here; translations with the Latin alphabet result in various spellings). Early on Ethiopia (sometimes called Abyssinia) maintained contact with the Byzantine Empire in eastern Europe, and more locally with the Muslim sultanates of Arabia and northeast Africa. After a period of decentralization and weak monarchical power, in the mid-19th Century Ethiopia quickly reunified and expanded under Emperor Tewodros II.

Tewodros’ gold alloyed crown with silver and copper filigree work and glass bead detail was looted by British troops at the siege of Magdala (Mek’dala) in 1868. It is shown below on exhibition at the Victoria & Albert Museum. 

This expansion continued under Tewodros’ successors Yohannes IV and Menelik II through the first decade of the 20th century. Ethiopia is one of only two modern African nations (the other being Liberia) not to have been conquered and colonized by a European/Western power, although it did have many run-ins, battles, and even wars with the British and Italians (more on that later). In 1896, Ethiopia’s independence was officially recognized by European powers through the Treaty of Addis Ababa.

Emperor Yohannes IV, wearing a traditional headwrap turban, is recognized as a world leader in this somewhat inaccurate 1889 photomontage. Menelik II, the first Ethiopian royal to be photographed more widely, is shown below in a head wrap, a dark wide brimmed hat, traditional feathered crowns/headdresses and an Abyssinian crown.

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Menelik II was the emperor credited with ushering modernization into Ethiopia. The colonization of Africa by most European powers meant he had little trust in the West and thought relations with Russia were a safe bet, especially as Russia wanted to counter further British colonial expansion; Orthodox Christian connections between the two countries also helped. His daughter and successor, Empress Zewditu, became nəgəstä nägäst (“Queen of Kings”) and ruled as the first and only Empress Regnant of Ethiopia.

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Zewditu’s rule was largely a placeholder for the regent and heir Ras Tafari Makonnen, seen below in 1928 in bowler hat and traditional cloak, who we’ll explore further in the next post in this series. Ras is a title equated with Duke, though often rendered as Prince.

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An interesting side note: The Illustrated London News reported on 5 July 1919 that three representatives had come to ‘present gifts and a friendly address from the Empress of Abyssinia and the Heir-Apparent, Ras Tafari, to their Majesties the King George V and Queen Mary, congratulating them on the victorious issue of the war, and reaffirming Abyssinian friendship with this country’. One of the gifts was this elaborate gilt-bronze pierced Abyssinian royal headdress encrusted with African origin stones. At the front are two ‘Lions of Judah’ crowned with an Ethiopian royal crown and flanking a processional cross. The ‘Lions of Judah’ were a symbol of Ethiopian princes and a reference to their Solomonic dynasty. The bust in profile mounted above the crowned lions is that of the Ethiopian Emperor Menelik II (1844-1913).

Thank you, Jake, for this introduction to the Ethiopian Imperial family’s history through their hats. These Abyssinian crowns and royal headdresses aren’t like anything else we’ve seen from other royal traditions. I’m quite astounded by their detail and unique beauty. Stay tuned next Wednesday, dearest readers, for the second post in this series!

Photos from Getty as indicated and the Royal Collection Trust

Hats From the Past

Royal Hats110 years on this day back to the investiture of the Prince of Wales at Carnarvon Castle. I adore the contrasting statements between Queen Mary’s gigantic ostrich plumed hat and the 17-year-old prince’s streamlined gold coronet!

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Images from Getty as indicated