The wedding of Princess Eugenie and Jack Brooksbank included a handful of other royal guests, beginning with the Greek royal family. Crown Princess Marie-Chantal topped her delicate pink lace dress in a pale pink button percher with a spray of intricate pink silk handmade flowers. Her daughter, Princess Maria-Olympia, paired her vibrant pink patterned Dolce and Gabbana dress with a sculptural headpiece in silver lace. Both millinery designs are deceptively complex but make fantastic compliments to their respective frocks.
Designer: Both are Philip Treacy Previously Worn: Both are new
Princess Ekaterina of Hanover had the most interesting hat of the day, a wide brimmed saucer in greige animal printed straw, trimmed with rows of pheasant feathers that look like rows of lion fish. The hat is so out there photos of it look photoshopped (I’ve done several doubletakes!) and I can only imagine the GIFs it will inspire.
Designer: Suzanne Couture Millinery
Previously Worn: Princess Ekaterina’s mother-in-law, Chantal Hochuli, originally wore this hat years ago
Chantal Hochuli (former Princess Chantal of Hanover) wore a large round black percher hat trimmed with white flowers and black feathers while Princess Alessandra of Hanover topped her green and purple Andrew GN dress with a magenta teardrop percher of pleated straw, wrapped in a matching swath of net veil.
Crown Prince Pavlos and Crown Princess Marie-Chantal of Greece threw a lavish party at their Gloucestershire home over the weekend to celebrate Pavlos’ 50th birthday and Princess Olympia’s 21st birthday. Guests have shared that the party theme was “Prince And The Revolution” with a dress code that called for revolutionised black tie. The costumes that resulted are quite spectacular. While this was officially, a private event, so many photos were shared by both hosts and guests on social media that it does not seem intrusive to share.
Host of the party, Crown Princess Marie-Chantal, wore a Philip Treacy headpiece of silver stars unlike anything else we’ve seen on a royal head.
King Felipe is visible in the far left of this picture. Spanish media have reported that Queen Letizia, Infanta Elena, Infanta Cristina and Inaki Urdangarin also attended but no photos have surfaced so far (same for members of the Danish royal family along with Prince Pavlos’ parents and other siblings). The woman in the centre with butterflies and a feather headpiece is Pia Getty, Princess Marie-Chantal’s older sister.
Crown Princess Mette-Marit wore what looks to be an embellished metallic headband (again!).
John and Lady Carolyn Warren were part of the royal carriage procession today, accompanied by horse breeder, The Hon. Peter Stanley, and his wife, Frances. Lady Carolyn wore a beautiful icy grey-blue disk hat with button crown, trimmed with a silk bow and spray of feathers in the same hue. Frances Stanley wore a large Philip Treacy hat with off centered crown, trimmed with a gold silk signature Treacy bow and spray of feathers.
Crown Princess Victoria and Prince Daniel arrived in Milan yesterday with Prince Oscar who looked cosy in a cap from Geggamoja
Queen Margrethe has been hand picking images to share during each day of Advent on the Danish Monarchy’s social media- one of the pictures this week included this one of herself and a young Princess Benedikte celebrating Santa Lucia.
Queen Margrethe’s sisters, Queen Anne-Marie and Princess Benedikte, both wore vibrant hats. In bright red felt, Queen Anne-Marie’s hat featured an unusually tall crown, a short, upturned brim; the piece was boldly embellished with a large knotted bow and curling black feather spines. Princess Benedikte topped her grey fur coat with a large beret-style design in raspberry felt. We have seen Princess Benedikte in numerous hats in this hue and the colour is fantastic on her.
Princess Marie-Chantal wore a Philip Treacy designed fascinator of straw twists and several different varieties of gold feathers. While some might argue that the spiky design gave some textural contrast to her tweed coat and dress, I have always found the combination of classic clothing and modern headpiece to be jarring and disharmonious.
Princess Alexia of Greece topped her grey fur jacket with a burgundy felt hat. With an indented crown and fluted, upturned brim, this hat is all about shape. I adore the grey and burgundy colour scheme of her ensemble but I’m afraid the stylised brim and crown shapes on her hat look rather dated today. Tatiana Blatnik (who would become Princess Tatiana of Greece and Denmark in 2010) wore a simple fascinator of navy feathers. The lightness of the piece, which feels better suited to a summer wedding or garden party, feels off balance against her winter coat
Princess Theodora wore an interesting loden green beret variation with high peaked side trimmed with a felt rose in the same colour. Dutch Princess Laurentien also wore an exaggerated hat- made of the same brown plaid as her tailored jacket, the piece featured a tall, indented crown and oval shaped brim. Unfortunately, the oversize fedora was too big for Laurentien and looked to be swallowing her up. In this pairing of exaggerated hats, I think Princess Theodora’s was substantially more successful.
Princess Mathilde (as was her title in 2006) topped her beautiful red coat dress and cape with a large matching hat. With a squared crown and upfolded brim, the hat was simply trimmed with a wide ribbon around the base of the crown. It’s a strong look for Mathilde but she carried it well. It’s a classic piece that I would love to see trotted out again.
Princess Märtha Louise of Norway wore a 1940s inspired hat by Anja Irgens. With a close fitting crown and diamond brooch detail, the star of this hat was its upfolded brim that swept around the hat in fluted waves. Märtha Louise has long been known for her quirky style and while this hat fits that style brief, the colour and shape are exquisite. Ten years later, it is still one of my favourite hats in her wardrobe.
Princess Benedikte’s daughter, Princess Alexandra of Sayn-Wittgenstein-Berleburg topped her gold bouclé coat with a purple fascinator. The headpiece, consisting of a purple silk rose and feathers that swept around the top of her head, provided a spot of colour and textural contrast to her ensemble. The Countess of Frederiksborg, who arrived with her young sons Prince Nikolai and Prince Felix, wore in an ivory felt hat with asymmetrical upfolded brim. The hat was trimmed in a pleated sash of the same fabric as her coat, drawing the two pieces together in a unified winter white ensemble. Some of you might recognize the hat as the same one worn for Prince Felix’s christening (the last christening to have taken place in the Danish royal family at the time) in 2002- an interesting choice but a hat that Alexandra wore very well.
It is only once in a generation that a royal house christens a future king or queen and the scale of this event reflects its importance. Looking back, I’m surprised at how many hats withstand the test of time and could successfully (and stylishly) be repeated today. Which hats stand out most here to you?
While many of you are eagerly awaiting this year’s new millinery from the British royal family, we must first peek at hats from Monaco, Greece, Dubai and Qatar. Some of this year’s most luxurious hats were worn by princesses and sheikhas from these countries- click on any of the photos to jump back to original posts to see additional description and detail of the hats.
The hats with the most votes across this semifinal will move forward to a final poll. If you don’t think any of these hats are worthy of the title of Best of 2015, save your vote (or jump back to vote again for hats from Belgium, Denmark, Sweden, The Netherlands or Luxembourg and Norway). You can vote for multiple hats up to four times per day so please, get voting!
Princess Charlene of Monaco and Princess Caroline of Hanover and Monaco
1. 2. 3. 4.
Beatrice Borromeo and Princess Marie-Chantal of Greece
5. 6. 7.
Princess Haya Bint Al Hussein of Jordan, Sheikha of Dubai and Sheikha Mozah of Qatar
8. 9. 10.
Do you think any of these hats deserve to be named best royal hat of the year? Cast your vote below. Voting will remain open until January 1, 2016.
On July 1, 1995, Crown Prince Pavlos of Greece, Prince of Denmark married Hong Kong raised British-American socialite Marie-Chantal Miller at a lavish ceremony at St. Sophia’s Cathedral in London. Attended by one of the largest assembled groups of royals this generation, the 20th anniversary of this happy day is a wonderful opportunity to look back at it.
One might think that a royal family in exile might celebrate passages of life on a more modest scale but such was not the case with this event. With 1400 guests, a reported budget of eight million US dollars, a reception at Hampton Court Palace, and 62 pieces of Valentino couture worn by the bridal party and guests, this wedding was as extravagant and grand-scale as they come. I suppose when the bride is the daughter of a billionaire entrepreneur and the groom (who was born crown prince of a reigning monarchy) counts the Queens of Spain and Denmark as his aunts, modest is not an option.
It was therefore, no surprise that Marie-Chantal went to Valentino for her wedding dress. Made of ivory silk, the gown featured a four and a half metre train and was trimmed with twelve different varieties of handmade lace. The high-necked lace bodice with long sleeves was encrusted with pearls, forming a garden of flowers against a delicate lattice background. My favourite detail on the dress was the bottom of the skirt, which was appliquéd with silk roses in a medallion motif.
Marie-Chantal’s veil, made of handmade Chantilly lace, was woven and embroidered with motifs of flowers and butterflies. The wide border of intricate scallops wrapped around the piece, framing both Marie-Chantal’s face and the train of her gown. The veil was anchored by the Greek Antique Corsage Tiara, on loan from Queen Anne-Marie.
This tiara was a wonderful pairing for this ensemble- the lightness and delicacy of the design was perfect for Marie-Chantal’s inaugural tiara while the height and heft of the piece stood up to her elaborately patterned veil.
I think this is one of the royal dresses and veils that requires a close-up look to appreciate its immense and intricate detail (detail that required twenty-five Valentino seamstresses four months to create at an estimated quarter of a million US dollars at the time it was made). Unfortunately, this detail is lost on many photos and the petite Marie-Chantal is left looking swamped by a dress that overwhelms her. While the ensemble is incredibly royal and is undeniably, a couture masterpiece, I think it was simply too much for this young bride.